All Joseph Mallord William Turner's oil paintings

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89750

Haus am Flub mit Baumen und Schafen

c. 1807(1807) Medium oil on canvas Dimensions 96,5 x 114 cm cjr

3220

Hero and Leander

National Gallery, London

34605

Houses of Parliament on Fire

mk94 1834

55060

Impression of number four

mk239 1911 Oil on canvas 95x107cm

55058

Impression of Number three

mk239 1911 Oil on canvas 77.5x100cm

55062

Improvisatori

mk239 1914 Oil on canvas 110x110cm

54899

In the house

mk238 1837 Oil on canvas 91x122cm

55177

In the red

mk239 1928 Watercolour 48.5x50.8cm

54873

Interior

mk238 1810 watercolour 64x49cm

54820

Interior Ruin

mk238 1796 Watercolour 21.4x27.4cm

54980

Island

mk238 1840 Watercolour 19.5x28.1cm

87575

Jetzt fur den Maler, Passagiere gehen an Bord

Date 1827(1827) Medium Oil on canvas Dimensions 170,2 x 235,5 cm cjr

54878

Jideka

mk238 1819 Watercolour 22.3x28.7cm

66587

Joseph Mallord William Turner, selfportrait.

Oil on canvas 1798 58 ?? 72,5 cm

55053

Judge

mk239 1910 Oil on canvas 125x73cm

3215

Keelman Heaving in Coals by Night

1835 36 1/4" x 48 1/4" The National Gallery of Art, Washington DC

55172

Keep in the mind

mk239 1927 Watercolour 48.3x32.3cm

55199

Keynote line

mk239 1936 129.4x194.2cm

54875

Lake

mk238 1819 Watercolour 22.4x29cm

54897

Lake

mk238 1832 Watercolour 13.9x19cm

54910

Lake

mk238 1828 oil on canvas 60.3x99.7cm

54916

Lake

mk238 1827 Watercolour 23.8x20.3cm

54919

Lake

mk238 1828 Watercolour 28.6x41.2cm

54963

Lake

mk238 1848-1850 Watercolour 36.9x54cm

54964

Lake

mk238 1846-1850 Watercolour 36.8x54cm

54984

Lake

mk238 1843 Watercolour 24.8x34.6cm

55014

Lake

mk239 1908 Oil on canvs 63x96cm

55051

Lake

mk239 Oil on canvas 98x103cm

54824

Landscape

mk238 1795-1796 30.4x43cm

54828

Landscape

mk238 1798 watercolour 28.9x41.6cm

54841

Landscape

mk238 1802-1805 watercolour 54.5x82.7cm

54842

Landscape

mk238 1802 Oil on canvas 90x119.5cm

54851

Landscape

mk238 1805 Oil on canvas 90.5x116.5cm

54853

Landscape

mk238 1806 Watercolour 27.5x37cm

54854

Landscape

mk238 1802

54858

Landscape

mk238 1812 Watercolour 13.9x21.9cm

54861

Landscape

mk238 1810 Oil on canvas 92x122cm

54881

Landscape

mk238 1819 waterclour 22.8x36.9cm

54917

Landscape

mk238 1828 Oil on canvas 60x92.5cm

54920

Landscape

mk238 1828 Oil on canvas 60.3x101.9cm

54947

Landscape

mk238 1840 Watercolour 24.4x36.8cm

54948

Landscape

mk238 1840 Oil on canvas 31.1x48.3cm

54952

Landscape

mk238 121.9x182.2cm

54986

Landscape

mk238 Oil on canvas 1844 Watercolour 22.8x32.8cm

54988

Landscape

mk238 1843-1845 Watercolour 24.2x29.6cm

54990

Landscape

mk238 1845 Watercolour 23.2x32.6cm

55035

Landscape

mk239 1912 Oil on canvas 77.8x100cm

55052

Landscape

mk239 1911 Oil on canvas 94.3x129cm

57303

Landscape

mk255 for in 1835. 0.94 x 1.24 meters canvas. Paris, the Louvre

55045

Landscape of church

mk239 1910 Oil on canvas 64.7x50.2cm

54887

Landscape of Deck

mk238 1827 Oil on canvas 30.5x48.5cm

54816

Landscape of Seashore

mk238 1792-1793 21.3x27.2cm

52519

Landscape with a River and a Bay in the Background

1835-40 Oil on canvas, 93 x 123 cm

20830

Landscape with Distant River and Bay (mk05)

Canvas 37 x 49''(94 x 124 cm)Acquired in 1967 R.F 1967-2(S/AR)

30695

Landscape with Juntion of the Severn and the Wye

mk68 Oil on canvas Paris,Louvre. c.1845 Britain

71442

Landschaft mit dem Garten des Hesperides

Medium Oil on canvas Dimensions 155 x 218.5 cm

55219

Last watercolour

mk239 1944 25.5x34.6cm

55173

Left

mk239 1927 Oil on canvas 41x33cm

89347

Leuchtraketen bei hohem Seegang

1840(1840) Medium oil on canvas Dimensions 91,5 x 122,7 cm cjr

55183

Level

mk239 1930 oil on canvas 35x49cm

66586

Licht und Farbe: Der Morgen nach der Sintflut: Moses schreibt das Buch der Genesis

1843 78,7 ?? 78,7 cm

54924

Lifeimosi

mk238 1829 oil on canvas 132.5x203cm

55184

Light

mk239 1931 Watercolour 34.2x34.8cm

54959

Light and colour

mk238 1843 Oil on canvas 78.5x78.5cm

24491

Light and colour-the morning after the Deluge-Moses writing the bood of Genesis (mk31)

1843 Oil on canvas 78.5x78.5cm

54933

Lighthouse

mk238 1832 Watercolour 14x19cm

26067

Lincoin from the Brayford (mk47)

1803-04 Watercolour adn bodycolour 660x1020mm Usher Gallery,Lincoinshire County Council

54821

Lincon church

mk238 1795 watetcolour 45x35cm

55187

Line

mk239 1931 48x25.9cm

54968

Lolusi

mk238 1830 Watercolour 61.6x82.5cm

54857

London

mk238 1809 Oil on canvas 90x120cm

89157

London from Greenwich Park

1809(1809) Medium Oil on canvas Dimensions Height: 902 cm (355.1 in). Width: 120 cm (47.2 in). cjr

55084

Love-s Garden

mk239 1912 Oil on canvas

54904

Lusigete

mk238 1824 Watercolour 16x23.2cm

55039

Macron

mk239 1910-1911 Oil on canvas 32.5x32.5cm

54846

Marine

mk238 1808 171.4x233.7cm

54817

Marine fetch the piglet from board

mk238 1792-1793 Oil on canvas 21.6x27.5cm

55029

Matter

mk239 1909 Oil on canvas 97x131cm

54973

Meeting

mk238 1839 Watercolour 24x30cm

54862

Meiyinsi

mk238 1817 Watercolour 21x34cm

55204

Mistiness

mk239 1939 Oil on canvas 100x81cm

54901

Moore Park

mk238 1823 Watercolour 15.8x22.1cm

88165

Morgen in den Corniston Fells, Cumberland

1799(1799) Medium Oil on canvas Dimensions 123 x 89,7 cm cjr

3216

Mortlake Terrace

1826 36 1/4" x 48 1/8" The National Gallery of Art, Washington DC

88994

Mortlake Terrace, der Wohnsitz von W. Sliam Moffat, Sommerarbend

1827(1827) Medium oil on canvas Dimensions 92 x 122 cm cjr

31836

Mortlake terrace:early summer morning

mk76 Painted in 1826 Oil on canvas 36 5/8x48 1/2in

55108

Moscow

mk239 1916 Oil on canvas 36x36cm

54845

Mountain

mk238 1803 91.5x122cm

54847

Mountain

mk238 1802 watercolour 32x47.5cm

54914

Mountain

mk238 1831-1832 Watercolour 11.5x13.9cm

54982

Mountain

mk238 1841 Watercolour 22.8x29.6cm

54983

Mountain

mk238 1841 22.8x33.2cm

54985

Mountain

mk238 1841 Watercolour 24.9x37.4cm

55012

Mountain

mk239 1908-1909 Oil on canvas 106x96.9cm

55022

Mountain

mk239 1909 Oil on canvas

55072

Mountain

mk239 1911-1912 Watercolour

55201

movement

mk239 1937 116x89cm

3241

Music Party

1835 Tate Gallery, London

24477

Music party in Petworth (mk31)

1835 Oil on canvas 121x90.5cm

89712

Musikgesellschaft, Petworth

c. 1835 Medium oil on canvas cjr

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Joseph Mallord William Turner

English Romantic Painter, 1775-1851 Joseph Mallord William Turner (23 April 1775 ?C 19 December 1851) was an English Romantic landscape painter, watercolourist and printmaker, whose style is said to have laid the foundation for Impressionism. Although Turner was considered a controversial figure in his day, he is now regarded as the artist who elevated landscape painting to an eminence rivalling history painting. Turner's talent was recognised early in his life. Financial independence allowed Turner to innovate freely; his mature work is characterised by a chromatic palette and broadly applied atmospheric washes of paint. According to David Piper's The Illustrated History of Art, his later pictures were called "fantastic puzzles." However, Turner was still recognised as an artistic genius: the influential English art critic John Ruskin described Turner as the artist who could most "stirringly and truthfully measure the moods of Nature." (Piper 321) Suitable vehicles for Turner's imagination were to be found in the subjects of shipwrecks, fires (such as the burning of Parliament in 1834, an event which Turner rushed to witness first-hand, and which he transcribed in a series of watercolour sketches), natural catastrophes, and natural phenomena such as sunlight, storm, rain, and fog. He was fascinated by the violent power of the sea, as seen in Dawn after the Wreck (1840) and The Slave Ship (1840). Turner placed human beings in many of his paintings to indicate his affection for humanity on the one hand (note the frequent scenes of people drinking and merry-making or working in the foreground), but its vulnerability and vulgarity amid the 'sublime' nature of the world on the other hand. 'Sublime' here means awe-inspiring, savage grandeur, a natural world unmastered by man, evidence of the power of God - a theme that artists and poets were exploring in this period. The significance of light was to Turner the emanation of God's spirit and this was why he refined the subject matter of his later paintings by leaving out solid objects and detail, concentrating on the play of light on water, the radiance of skies and fires. Although these late paintings appear to be 'impressionistic' and therefore a forerunner of the French school, Turner was striving for expression of spirituality in the world, rather than responding primarily to optical phenomena. Rain, Steam and Speed - The Great Western Railway painted (1844).His early works, such as Tintern Abbey (1795), stayed true to the traditions of English landscape. However, in Hannibal Crossing the Alps (1812), an emphasis on the destructive power of nature had already come into play. His distinctive style of painting, in which he used watercolour technique with oil paints, created lightness, fluency, and ephemeral atmospheric effects. (Piper 321) One popular story about Turner, though it likely has little basis in reality, states that he even had himself "tied to the mast of a ship in order to experience the drama" of the elements during a storm at sea. In his later years he used oils ever more transparently, and turned to an evocation of almost pure light by use of shimmering colour. A prime example of his mature style can be seen in Rain, Steam and Speed - The Great Western Railway, where the objects are barely recognizable. The intensity of hue and interest in evanescent light not only placed Turner's work in the vanguard of English painting, but later exerted an influence upon art in France, as well; the Impressionists, particularly Claude Monet, carefully studied his techniques.

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